The surer way for an artist, is not the improvisation at all costs ", but a long and patient dedication to the study of ancient images and the real shapes, listening to the inner world.
Juliette begins its artistic way from the repertory of Michelangelo in the "Cappella Sistina"; fascinated from the purity and the force of those nudes, she executes studies about pencil, emphasizing sculptural" vigor of the bodies and the exceptional vitality of the shapes, the gestures, the attitudes.
From Michelangelo to Botticelli in order to inquire a linear and musical way, more of dealing the human figure, then the simplification and the personal synthesis: they are designs whit pencil, carboncino and painted on burlap.
Under chasing of the expressive urgency, the shapes " are purified " from the particular excess, the color become monochromium; nothing of outer is left to be distracted from what must be perceived for first: the drama of the existential solitude of a humanity rich of aspirations and dreams, aware of his " nakedness " and smallness in spite of the great problems that is found to face.
The design from the clear reliefs, pushes towards the sculptural expression.
And here she let we feel positively all the weight of the encounter and the frequentation of a great master: Giuseppe Marinucci, from Ascoli, artist whit great tensions and suffered shapes.
And born therefore, small sculptures, low reliefs in terra-cotta and fusions in bronze, that put definitively the spazial perception in her expressive language.
After, no experience will be able more to ignore this conquest.
The passion for the dark-to-bright variations, the dominion of lines and volumes, is the presupposed ones in order to work unconstrainedly in the field of the recording; and Juliette covers also this way: the block printing before, and later, the chalcography: the etching, the acquatinta, the puntasecca.
The topics are several: landscapes, nudini, animals, died natures, flowers.
In the formation of an artist its human vicissitude is determining too: for Juliette, a period of inactivity coincides with the experience of maternity; however this is not an empty period because she can put attention towards other fields of search, other ways to think and to understand the own artistic life: the interest for the world of infancy and the fairy-tales illustration lets she participate to the Extension of the Illustrators at the Book Fair of Bologna, and gives her the inclusion of her curriculum in an international catalogue.
For the conquest of an own language, is also important to know the "art world" and its rules.
Juliette alive instead its experience with great and happy opening: beginning from those first laboratories managed in group, until the job in equipe and the frequentation of extemporaneous with friends painters, develop a more and more strongly sensibility towards social and interpersonal area, indispensable aspect in order " to invent " a new way to mean the art and its expressions.
The more recent works Replica Uhrenare characterized by the innovative way to use colors.
Is the season of the "full language": all the wealth has sprouted and given fruit with unexpected abundance: the happy intuitions find substance and realization.
Born now the first watercolors, so rich of "past" and, at the same time, so extraordinarily "new": there is attention to imperceptible variations of intensity, there are volumes and a soft modellation of tonalities, there is brightness in the dusk, drama in the light: interpenetration between good and evil, possible and impossible, dream of freedom and conscience of the limit.

LUCIA TASSI (art teacher)

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